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Pushing Boundaries Exhibition

This biennial exhibition showcases and celebrates contemporary local, national and international First Nations artists. Through carvings, portraiture drawings, digital images, textile work, video and more, themes of family, reconciliation, indigenous life, gender, race, politics and nature are explored.

Artists:

Arlene Bowman, Allison Burns, Krystle Coughlin, Alanna Edwards, Dan Friday, Geronimo, Whess Harman, Adele Maskwa-iskwew Arseneau, Shelley McDonald, Ryan McKenna, Levi Nelson, Jacqueline Primeau, Michelle Sound

North Vancouver Community Arts Council

Located at
CityScape Community Art Space
335 Lonsdale Avenue
North Vancouver, BC
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Alumnus + Assistant Professor Raymond Boisjoly Shortlisted for AMIA AGO Photography Prize

Emily Carr University is pleased to share news of alumnus + Assistant Professor Raymond Boisjoly’s selection as one of four international finalists for the 2017 Aimia | AGO Photography Prize, marking the 10th anniversary of Canada’s most significant award for photography.

Co-presented by Aimia, the Canadian global leader in data-driven marketing and loyalty analytics, and the Art Gallery of Ontario (AGO), the Prize awards $50,000 to a winner selected by public vote. The four finalists will present their work in an exhibition opening September 6, 2017 at the AGO in Toronto. Voting begins in person at the AGO after the exhibition opens and on the Prize’s website beginning on September. 13, 2017.

Raymond Boisjoly is an Indigenous artist of Haida and Québécois descent who lives and works in Vancouver. He has exhibited extensively across Canada and internationally in both solo and group exhibitions. Boisjoly investigates the ways images, objects, materials and language continue to define Indigenous art and artists, with particular attention to colonial contexts. In 2016, he was a recipient of the VIVA Award, presented by the Jack and Doris Shadbolt Foundation for the Visual Arts in Vancouver, and is one of five artists shortlisted for the 2017 Sobey Art Award. Boisjoly is an Assistant Professor of Interdisciplinary Studio in the Audain Faculty of Art at Emily Carr University of Art and Design. He is represented by Catriona Jeffries Gallery.
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Aboriginal Alumni Longlisted for 2017 Sobey Art Award

The Sobey Art Foundation and the National Gallery of Canada today announced the longlist of nominees for the 2017 Sobey Art Award.
The Sobey Art Award is presented annually to a Canadian artist aged 40 and under who has exhibited in a public or commercial art gallery within 18 months of being nominated.
These 25 longlisted artists—five for each of five regions—are vying are for the top prize worth $50,000. Each of four other finalists will receive $10,000.
A related shortlist of five artists will be released on June 6, with the top winner of the prize being announced on October 25 in Toronto.

Congratulations to our Aboriginal Alumni on the longlist!

Jeneen Frei Njootli (2012)

Raymond Boisjoly (2006 | Assistant Professor, Audain Faculty Art)

Jeneen Frei Njootli is a Vuntut Gwich’in artist and a founding member of the ReMatriate Collective. In her interdisciplinary practice she uses media such as performance, sound and textiles. Much of her work deconstructs the history of the materials she uses. She investigates their relationship to trade, ceremonial regalia, and the politics of First Nations art. Her work is now in the Vancouver Art Gallery’s permanent collection.

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Raymond Boisjoly is an Indigenous artist of Haida and Québécois descent who lives and works in Vancouver. His work investigates technology, Aboriginal identity, the relationship between text and image as well as the limits of the visible. He is an Assistant Professor in the Audain Faculty of Art at Emily Carr University of Art + Design.

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Emily Carr Alumni and Faculty to Receive REVEAL Indigenous Art Awards

Several Emily Carr alumni and faculty will soon be receiving an award unlike any seen before in Canada. Created by the Hnatyshyn Foundation, the REVEAL Indigenous Art Awards are intended to honour emerging and established Indigenous artists and to fuel future Indigenous arts practice. Recipients will each receive a one-time award of $10,000.

Of the 150 artists selected, eight are Emily Carr alumni and faculty. The recipients were chosen by a national jury of peers and include visual artists, media artists, craftspeople, musicians, writers, storytellers, dancers and actors.

The winners will receive their awards on May 22 at a special ceremony in Winnipeg that will include National Chief Perry Bellegarde, Winnipeg mayor Brian Bowman and Canada Council CEO Simon Brault.

Join us in congratulating Sonny Assu (2002), Liz Carter (current student), Thirza Cuthand (2005), Mark Igloliorte (Assistant Professor, Faculty of Visual Art + Material Practice), Mary Longman (1989), Nadia Myre (1997), Janice Toulouse (1979 and Sessional Faculty) and Niki Watts (2016).

Find out more about the REVEAL Indigenous Art Awards here.

Cover Image: Decolonial Gesture or Doing it Wrong? Refair le chemin, 2016. Nadia Myre.

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Kwèykw`áystway Visual Arts Exhibition

The 2017 Talking Stick Festival theme Kwèykw`áystway serves as inspiration for finding a wide variety of works by a number of artists whose visual practice communicates across media, Nations and generations.

Featuring a collection of artworks from 11 multidisciplinary artists of Indigenous ancestry, the exhibition Kwèykw`áystway: Speaking With One Another attempts to create generative spaces for contemplation and conversation using the variety of expression found in Indigenous art today. The Roundhouse Community Centre serves as the meeting place for you, the audience, to witness some of the voices belonging to the Indigenous arts community.

This exhibition includes a number of artists who come from varying areas of British Columbia or reside here. It seems only fitting to use the festival theme as the title for this show because it is this place – the unceded territory of the Coast Salish Nations – that brings us together today in celebration of art and culture. By using a language belonging to this region we recognize the traditional territory and deepen our relationship to the land around us.

Includes Emily Carr alumni and students:
Bracken Hanuse Corlett, Richard Heikkila-Sawan, Edwin Neel,
Levi Nelson, and Michelle Sound.

Opening & Reception
February 15th, 2017
7:00 PM

Exhibition
February 16-25, 2017
All Day

LOCATION: Roundhouse Exhibition Hall
(181 Roundhouse Mews, Vancouver, BC V6Z 2W3

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What’s At Stake? Intertextual Indigenous Knowledges

Saturday, February 4, 2017
12:00 PM – 5:00 PM
World Art Centre, SFU, 149 West Hastings, Vancouver

What’s At Stake? Intertextual Indigenous Knowledges is an afternoon of talks, panels and a spoken word performance that examines knowledge, power, authority, and sovereignty in the construction of artistic practices.

Following on Intertextual: Art in Dialogue, a roving reading group that was held at participating galleries over the last year, this program is meant to function less like a syllabus and more like a web of ideas. Taking the critical historiography of Native Art of the Northwest Coast: A Changing History of Ideas (UBC Press, 2013) as a point of provocation, this event belongs to an intertextual discussion of artistic practice and the role of art institutions (from artist-run centres to public gallery models) in Vancouver.

Intertextual aims to examine/critique and create/support a community based in text, recognizing the process of selection and concomitant erasure that occurs in any process of representation.

Beginning with a welcome by Musqueam artist and knowledge keeper Debra Sparrow and concluding with a spoken word performance by Nuu-chah-nulth/Kwakwaka’wakw poet Valeen Jules, the afternoon features talks by notable cultural figures involved in Indigenous art: art historian Charlotte Townsend Gault, Nuu-chah-nulth historian, poet and artist Ron Hamilton (Ki-Ke-In), Kwakwaka’wakw artist, activist and scholar Marianne Nicolson, and Cree curator and scholar Richard Hill, Canada Research Chair at Emily Carr University of Art and Design. In addition, a lively discussion between Vancouver Indigenous scholars, curators and artists – Lindsay Lachance, Jordan Wilson, Jeneen Frei Nijootli and Jennifer Kramer – promises to be a highlight.

This series has been produced with the participation of SFU Galleries, Bill Reid Gallery of Northwest Coast Art, Contemporary Art Gallery, grunt gallery, Morris and Helen Belkin Art Gallery, Museum of Anthropology, Presentation House Gallery, UBC Press, Vancouver Art Gallery, and Western Front.

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Vancouver Special: Ambivalent Pleasures

Vancouver Special: Ambivalent Pleasures
December 3, 2016 to April 17, 2017

The Vancouver Art Gallery is pleased to launch Vancouver Special, a triennial exhibition surveying contemporary art in Vancouver. Co-curated by Daina Augaitis and Jesse McKee, Ambivalent Pleasures, the first iteration within this series, assesses the arts activity and discourse in the city over the last five years. Presenting works by forty artists, the exhibition encompasses a range of approaches and reinvigorated explorations of surrealism, abstraction, atemporality and conceptual practices.

Artists:
Derya Akay | Maya Beaudry | Raymond Boisjoly | Eli Bornowsky | Rebecca Brewer | Colleen Brown | Matt Browning | Mark Delong | Kim Dorland | Barry DoupÉ | Michael Drebert | Julia Feyrer | Jeneen Frei Njootli | Tamara Henderson | Colleen Heslin | Julian Hou | Allison Hrabluik | Gareth James | Garry Neill Kennedy | Tiziana La Melia | Khan Lee | Arvo Leo | Lyse Lemieux | Glenn Lewis | Anne Low | Elizabeth McIntosh | Jordan Milner | Antoni Oko | Ryan Peter | Sylvain Sailly | Rachelle Sawatsky | Walter Scott | Krista Belle Stewart | Angela Teng | Mina Totino | Ron Tran | Tristan Unrau | Charlene Vickers | Brent Wadden | Alison Yip

Cover Image:Accumulation of Moments Spent Underwater With the Sun and Moon by Charlene Vickers is one of the works in Vancouver Special: Ambivalent Pleasures. Trevor Mills, Vancouver Art Gallery

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We Come to Witness: Sonny Assu in Dialogue with Emily Carr

We Come to Witness: Sonny Assu in Dialogue with Emily Carr
December 3, 2016 to April 23, 2017

Artist’s Tour: Sonny Assu
We Come to Witness: Sonny Assu in Dialogue with Emily Carr
Saturday December 3, 1pm & 3pm
In the Gallery, 4th floor

Join interdisciplinary artist Sonny Assu for a tour of his exhibition In Dialogue with Emily Carr: Sonny Assu. Challenging the colonial gaze, Assu merges Indigenous
iconography with a pop art sensibility to intervene into the work of Modernist painter Emily Car and her representations of the landscape and First Nations people. Assu will discuss select sculptural works, his ongoing series Interventions on the
Imaginary, which includes digital tags based on a selection of Carr paintings from the Vancouver Art Gallery’s collection and a new collaboration with ceramic artist
Brendan Tang.

Free for Members or with Gallery Admission.
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Sonny Assu
Spaced Invaders, 2014
digital intervention on an Emily Carr Painting (Heina, 1928)
Courtesy of the Artist

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Alumni Honoured with BC First Nations Art Awards

Emily Carr University is delighted to share news that alumni Xwalacktun (’82) and Luke Parnell (MAA ’12) have been awarded BC Creative Achievement Awards for First Nations Art. This annual award celebrates artistic excellence in traditional, contemporary or media art.

“These 2016 award recipients, continue a tradition of excellence in First Nations Art that the Foundation has had the privilege of honouring over the past decade. We thank Polygon Homes, its Chair, Michael Audain, and its President, Neil Chrystal, for their tremendous commitment and support of the BC Creative Achievement Awards for First Nations Art.”
Keith Mitchell, BC Achievement Foundation Chair

Emily Carr Honorary Doctorate recipient Susan Point, a Coast Salish artist from Musqueam, will receive this year’s Lifetime Achievement Award, an honour bestowed on individuals who have made a profound contribution to their First Nations culture.

2016 Recipients:

Corrine Hunt – Kwakiutl / Komoyue
Maxine Matilpi – Ma’mtagila / Tlowitsis
Corey W. Moraes – Lax Kw’alaams
Luke Parnell – Nisga’a / Haida
Xwalacktun – Coast Salish / Squamish / Kwakwaka’wakw

Members of the jury panel included: world renowned carver and teacher Stan Bevan; Aboriginal Program Director at Emily Carr University, Brenda Crabtree; the Museum of Anthropology’s Curator Emeritus, Bill McLennan; and celebrated curator and artist, Tania Willard.

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Screens and Thresholds

October 7 – December 4, 2016
Screens and Thresholds
Curated by Raymond Boisjoly

Friday, October 7, 7 PM:  Introduction with Raymond Boisjoly, Tricia Livingston, and Krista Belle Stewart, followed by opening reception

Thursday, October 13, 8 PM: Sound performance by Postcommodity

“Screens and Thresholds” considers the impact of mediation on our understanding of history and experience. Diverse works in photography, video, and installation are brought together to examine the anxieties and possibilities in visualizing cultural knowledge—from the limits of scientific objectivity, to the ways knowledge is transferred from one person to another, to the persistence of certain practices in changing circumstances. The exhibition highlights the processes of transformation, not simply their results; in this way, the works may be framed as “medial,” situated somewhere between a beginning and an end. “Screens and Thresholds” features the work of Scott Benesiinaabandan, Tricia Livingston, Mike MacDonald, Karthik Pandian, Krista Belle Stewart, and the art collective Postcommodity.

Raymond Boisjoly has exhibited widely across Canada and internationally. He received the 2016 VIVA Award and was also shortlisted for this year’s Sobey Art Prize. He is an Assistant Professor at Emily Carr University of Art and Design.

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Karthik Pandian, Oversight, (2011)

Cover Image, Scott Benesiinaabandan: little resistances: marylezin, 2015, digital media

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