Spark Artist Talk No. 18 featuring Levi Nelson
Thursday, March 15 at 12:15 PM – 1 PM
Native Education College
285 East 5th Avenue, Vancouver
Spark Artist Talks is an informal lunchtime artist talk series hosted by grunt gallery in the Native Education College longhouse on the third Thursday of each month. This event features emerging Indigenous artists with diverse practices ranging from animation to street art, spoken word to sculpture. Bring your bagged lunch or grab some home-cookin’ from the NEC’s canteen and join the fireside conversation about what inspires artists.
Levi Nelson is an Aboriginal artist from the Lil’wat Nation located in Mount Currie, British Columbia. He is currently in his third year at Emily Carr University of Art + Design majoring in visual arts, with a focus on painting. Levi favours the medium of oil paint and has most recently taken an interest in printmaking, via silkscreen and lithography. His work can be described as contemporary First Nations art; fusing traditional North West Coast shape and form-line with conventional colours and composition. This past year Levi has exhibited his work in the Emily Carr University annual Aboriginal Art Exhibition, the Museum of Anthropology, the Talking Stick Festival and in the Pushing Boundaries show at North Vancouver City Art Scape.
Aboriginal Gathering Place Speaker Series
We are very pleased to present artist Shuvinai Ashoona!
Aboriginal Gathering Place Speaker Series
Join us at the AGP on Wednesday October 11, 2:30-3:30pm.
Shuvinai Ashoona was born in 1961 in Cape Dorset on Baffin Island. She is the daughter of the well-known sculptor Kiawak Ashoona and granddaughter of the late Pitseolak Ashoona, the great graphic artist. Her own career started in the mid-1990s when she began making drawings for the West Baffin Eskimo Cooperative. Often startlingly different from other Cape Dorset graphic expression, her works have not always been readily accepted by collectors of Inuit art. Nevertheless, in recent years Ashoona’s reputation as a contemporary artist has steadily grown.
Ashoona’s first works were small monochromatic ink drawings depicting the land. Many of these works show receding expanses of rocky tundra with sparse vegetation; streams run over the land in some images, often turning into small waterfalls. Although a few works show a horizon, the majority look down upon the landscape from a nearly aerial, closed off perspective. Atmospheric and delicately detailed, these early drawings are often characterized by a subtle eeriness.
In the late 1990s, Ashoona’s images became less naturalistic and darker in mood. Works based more on imagination than on observation of the physical world started to appear, suggesting a strong inner vision. Many drawings from this period portray subterrnean caverns littered with boulders and spanned by twisting formations. Darkened or illuminated tunnels also appear frequently, as do step- and shelf-like forms. These psychologically charged works are densely and sometimes obsessively drawn. Recently, Ashoona has started to use a range of colour in her images, depicting people and common objects but in her own unique vision, often including textual commentary. While lighter in mood, these works remain obliquely representational in a manner distinctly hers.
Please join us for a talk with acclaimed artist Lyle Wilson at the Aboriginal Gathering Place on Thursday February 19 at 4:30pm.
Lyle Wilson was born in 1955 and raised in the Haisla community of Kitamaat, near the townsite of Kitamat, south of Prince Rupert, in British Columbia.
The Haisla Clan system is matrilineal and although Wilson was born into the Beaver Clan, he was formally adopted into his father’s Eagle Clan, and thus a stylized image of the Eagle crest often appears as the artist’s signature in his prints and drawings.
Wilson was enrolled in the University of British Columbia’s Native Indian Teacher Education Program (NITEP) in 1976. Wilson and went on to study fine arts and education at both the University of BC and the Emily Carr College of Art and Design. He graduated with a Print-Making Diploma and began to develop his individual artistic style. This style has its roots in graphics but the concepts learned from all his life experiences — including his formal education — is to be seen in his three dimensional works in wood and jewellery.