Frybread as Fok
The Aboriginal Gathering Place’s Annual Exhibition will be on view from February 1-15 in the Michael O’Brian Exhibition Commons on the second floor of ECU. This year’s exhibition, titled Frybread […]
The Aboriginal Gathering Place’s Annual Exhibition will be on view from February 1-15 in the Michael O’Brian Exhibition Commons on the second floor of ECU. This year’s exhibition, titled Frybread […]
By Perrin Grauer [Originally posted on ECU News.] The celebrated artist aims to help Indigenous students connect more closely with their practices and one another ahead of the upcoming Indigenous
Islands of Decolonial Love: A Reception and Readings. January 12, 2024 at 6pm (readings at 6:30pm) Aboriginal Gathering Place at Emily Carr University of Art + Design In celebration of
By Perrin Grauer Originally posted on ECU News. The artist and ECU student will have her work displayed for three months in the retailer’s flagship Vancouver store as part of
We’re pleased to share a video of the unveiling ceremony for the Pacific Song of the Ancestors totem pole that was held on September 28, 2023.
By Perrin Grauer. Originally posted on ECU News. A new film by artist and ECU faculty member Lindsay McIntyre has won the Live Action Short Award at the 2023 imagineNATIVE
Join us! This year we will be hosting a Winter Market where ECU’s Indigenous students can showcase and sell their work before the holidays. Refreshments will be provided. Aboriginal Gathering
On September 28, 2023, the Aboriginal Gathering Place hosted an unveiling ceremony of the Pacific Song of the Ancestors totem pole, a breathtaking new art installation by Master Carvers Dempsey
[Originally posted on ECU News] Warren, an accomplished arts professional who has worked across the country and internationally, began her appointment Sept. 27. Emily Carr University is pleased to announce
By Julie McIntosh [Originally posted on ECU News, August 29, 2023] The paranormal, cultural transmission, Indigenous futurism, time, spectrality and existences in artist and MFA student Zoë Laycock’s work.