All posts by Aboriginal Gathering Place

New Luke Parnell Solo Show Coming to Bill Reid Gallery

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By Perrin Grauer

Posted on January 19, 2021 | Updated January 19, 2021, 10:37AM

Indigenous History in Colour explores “the relationship between Northwest Coast Indigenous oral histories, conceptual art, and traditional formline design,” according to the gallery.

A new solo exhibition of stunning recent works by multidisciplinary artist Luke Parnell (MAA 2012) is headed to the Bill Reid Gallery.

Luke Parnell is Wilp Laxgiik Nisga’a (House of Eagles) from Gingolx on his mother’s side and Haida from Massett on his father’s side.

While Luke’s training has included a traditional apprenticeship with a master Northwest Coast Indigenous carver, his use of materials is “determined on a project-by-project basis,” according to OCAD University, where he works as Assistant Professor in the Faculty of Art. That open-minded approach to materiality is on full display in Indigenous History in Colour, which opens at the Bill Reid on Feb. 2.

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Works in the exhibition include last year’s collaborative installation, Neon Reconciliation Explosion (2020). The monumental artwork combines 44 panels to form a Northwest Coast housefront in Nisga’a style. Viewed together, the works reveal a formline butterfly design. Each of the panels was painted by “55 community members with bright neon colours, in reflection of their own personal understanding of reconciliation,” according to the gallery.

Luke’s contribution, by contrast, stands stark at the centre of the work — an unfinished lumber doorway marked by the initials “TF” and “CB,” in memory of Tina Fontaine and Colten Boushie. (Fontaine’s body was found in Winnipeg’s Red River six years ago; a man charged with her murder was found not guilty in 2018. Her case was one of many that led to the National Inquiry into Missing and Murdered Indigenous Women and Girls. Boushie was shot and killed by Saskatchewan farmer Gerald Stanley in 2016; Stanley was later acquitted of charges in the case. Both verdicts sparked Indigenous-led protests nation-wide, calling for justice for the slain teens).

Full article by Perrin Grauer: https://www.ecuad.ca/news/2021/new-luke-parnell-solo-show-bill-reid-gallery

In Memory: Taran Kootenhayoo

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By Emily Carr University

Posted on January 15, 2021 | Updated January 15, 2021, 3:56PM

A statement from IM4 on the passing of Taran Standing Sunrise Jerry Kootenhayoo.

We at the IM4 Lab want to send our greatest condolences to all the family and friends of the late Taran Kootenhayoo.

At the start of this year, we lost a friend to many at the ECU: an incredible Indigenous artist, storyteller, a talented contributor to the film, art and theater communities.

Taran was an IM4 collaborator who moderated our first ever Indigenous Immersive Speakers Series, and a good friend and frequent artistic collaborator to our Operations Manager Colin Van Loon. IM4 is also preparing a podcast with Cheyanna Kootenhayoo hosting. The immense void left behind is present.

We want to acknowledge this loss. This extends to many communities and is felt ever so intensely by the Indigenous community here in Vancouver and across turtle island. Taran was a rising talent whose work had and will continue to inspire us. His spirit, humour and presence will have a lasting impact on all those who had the privilege to meet, work with and develop a friendship with him.

We send our loving prayers to IM4 team member Cheyanna Kootenhayoo and the Kootenhayoo family.

Rest In Power. Rest In Peace. Taran Standing Sunrise Jerry Kootenhayoo.

Marcia Guno Appointed Vice-Provost, Students

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By Emily Carr University

Posted on December 08, 2020 | Updated December 09, 2020, 3:35PM

The accomplished educator and community facilitator joins ECU with an exceptional record of supporting student empowerment.

Emily Carr University of Art + Design is pleased to announce the appointment of Marcia Guno as the university’s new Vice-Provost, Students.

Marcia is from the Nisga’a Nation. Her Nisga’a name is K’amyuuwa’a. She is Laxsgiik (Eagle) and is from the House of Minee’eskw.

For the past six years, Marcia has worked as Director of the Indigenous Student Centre at Simon Fraser University.

“As I prepare myself for the amazing new journey ahead of me at Emily Carr, I carry with me my cultural values and teachings,” she says. “I am grateful for our traditional medicines and for opportunities to get out onto the land. For me, the land is a beautiful canvas, rich with art, history, language and traditional teachings for us all.

“I think of all the people who have come before me, to help strive for more inclusion and representation of Indigenous people and people of colour at all levels of educational institutions. I look forward to joining the Emily Carr community. I look forward to being in a smaller campus community, surrounded by creativity, innovation and diversity that is rich with cultural teachings.”

Full article by Perrin Grauer:  https://www.ecuad.ca/news/2020/marcia-guno-appointed-vice-provost-students

The Unstoppable AGP Looks Back on Fall, 2020

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By Perrin Grauer | filed in Faculty, Staff, Students, Alumni, Aboriginal Gathering Place, Community Collaboration, Industry Collaboration

Posted on December 14, 2020

Connie Watts reflects on learning and community-building at the AGP throughout an extraordinary semester.

“It’s like the little engine that could,” Connie Watts, Associate Director of Aboriginal Programs at Emily Carr University, wrote to me in an email at the start of December.

Connie was reflecting on the strength of the Aboriginal Gathering Place’s programming in a year that was anything but straightforward. She and her colleagues — Brenda Crabtree, Director of Aboriginal Programs and Special Advisor to the President on Indigenous Initiatives, Aboriginal Program Coordinator Angela Marston and Sydney Pickering, AGP lead researcher — have good reason to feel a kinship with the unstoppable blue locomotive that hauled an impossible weight up a mountain. The diverse range of programming the AGP managed to deliver despite the pandemic is almost unbelievable.

With recent reports that a vaccine is on its way, Connie said she and her colleagues are looking forward to a year that may see in-person gatherings once again. But, she adds, even if things stay as they’ve been the past nine months, “we will take advantage of anything we can to make sure our community is being engaged.”

With Connie’s boundless strength and optimism as our guide, let’s take a brief journey back through the AGP’s fall term.

All photos are by Connie Watts; courtesy of Connie Watts and the Aboriginal Gathering Place.

Fibreshed Workshops

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Three workshops in 2020 were held at the AGP as part of the Shumka Centre for Creative Entrepreneurship’s Fibreshed Field School initiative.

“Led by Emily Smith, Fibreshed Field School is an experiential mentorship program that investigates ecologically sensitive and economically viable methods of local textile production,” the Shumka Centre writes.

Brenda taught the first AGP Fibreshed workshop, treating participants to a lesson on cedar basket weaving (a technique which is part of Brenda’s own material practice).

Brenda Workshop 1 FORWEB

Janey Chang taught the second class — a tutorial on how to tan fish skins into supple leather. Some of Janey’s fish skins were included in the Material Practice Wellness Kits the AGP sent to students during lockdown.

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/agp-looks-back-2020

Sydney Pickering on Tanning Hides, Rekindling Connections and Learning from the AGP’s Changemakers

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By Perrin Grauer | filed in Staff, Students, Aboriginal Gathering Place, Research

Posted on December 03, 2020 | Updated December 03, 2020, 9:26AM

The Aboriginal Gathering Place provides a ‘home away from home’ for Indigenous students, says the artist and ECU student.

Sydney Pickering, artist, researcher, activist, family archivist and community advocate, whose work both defines and defies each of these titles, sits in the Aboriginal Gathering Place (AGP) midmorning on a rainy Tuesday.

The AGP is quiet, though working steadily in each of its three offices, just behind Sydney’s chair, are the women who run Aboriginal Programs and provide access to culturally specific learning for Indigenous students at Emily Carr University: Brenda Crabtree, Director of Aboriginal Programs and Special Advisor to the President on Indigenous Initiatives; Connie Watts, Associate Director of Aboriginal Programs; and Angela Marston, who recently joined the team as Aboriginal Program Coordinator.

Technically a transplant from the prairies, Sydney is Vancouver Island-born, and a once-distant daughter of the Coast Mountains, now returned. Currently in the final stages of her undergraduate degree at Emily Carr, she was recently hired on as a paid researcher for the AGP. And while her work in that role has kept her plenty busy, she’s been keenly observing everyone around her.

“It’s been really humbling to see how they work and make changes happen — changes that I didn’t think were happening before,” she says of Brenda, Connie and Angela. “It’s been really eye-opening to learn from them, to just sit here, listening, watching.”

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/sydney-pickering-tanning-hides-rekindling-connections-learning-changemakers-agp

Lou-ann Neel wins Fulmer Award in First Nations Art

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By Perrin Grauer | filed in Art, Staff, Alumni, Aboriginal Gathering Place, Awards

Posted on November 26, 2020

The accomplished, multidisciplinary artist, designer and curator comes from a family of renowned Kwakwaka’wakw artists.

Artist, designer, curator and community advocate Lou-ann Neel (BFA 2015) has won a Fulmer Award in First Nations Art from the BC Achievement Foundation (BCAF).

Lou-ann, who comes from a family of renowned Kwakwaka’wakw artists including Charlie James, Mungo Martin, Ellen Neel and Kevin Cranmer, told Victoria News she grew up viewing creative work as something a person simply did, rather than as a calling to a life of exception.

“I just didn’t think anything I did was anything special because I’ve been surrounded by artists my whole life, and my whole thing was, I want to be as good as them. I’ve never seen myself so much as an artist,” she said.

“When I was learning to design, that’s when I realized it’s not just a great privilege to learn but it’s kind of a family obligation to continue our own family tradition.”

Lou-ann has been practicing Kwakwaka’wakw design for more than 40 years. Her practice includes working in jewelry, textiles and hides, paintings and prints, and digital applications including animation, storybook illustration and 3D printing.

“I put my work out there as a symbol and a signifier of who I am and who our people are.”

LOU-ANN NEEL

“One of Lou-ann’s first passions was carving, and she is continuing to practice the techniques she learned through an apprenticeship in wood carving with her brother, Kevin Cranmer,” the BCAF’s press release says.

Full article by Perrin Grauer

Towards an Ecology of Place

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By Perrin Grauer | filed in Art, Faculty, Alumni, Community Collaboration

Posted on November 24, 2020 | Updated November 25, 2020, 7:26AM

DIY brush making is part of resilient material practice, says artist and ECU faculty member Mimi Gellman

A brush-making tutorial aimed at empowering locked-down visual artists has joined a broader continuum of arts teachings emphasizing material ingenuity and self-reliance, says artist and ECU associate professor Mimi Gellman.

DIY Brush Making, begun over the summer with help from ECU graduate student Yaaz Pillay, provides video and PDF tutorials for using materials of just about any kind to create brushes with unique mark-making capabilities — a vital lesson as many artists face barriers to purchasing pricey brushes from retail outlets.

“Having to rely on art supply stores doesn’t provide the opportunity to extend our abilities to problem solve, be creative and more self-reliant,” Mimi says.

“The thing that I get so excited about is how nimble we can be in the face of obstacles. At this moment, when everything seems to be closing down and we have less of the access we’re accustomed to, in what ways might we have more of a different kind of access? What possibilities are opened up?”

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/toward-an-ecology-of-place

Leadership Profile | Brenda Crabtree

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By Perrin Grauer | filed in Faculty, Staff, Aboriginal Gathering Place

Posted on February 21, 2020 | Updated February 26, 2020, 9:53AM

The director of the Aboriginal Gathering Place and Special Advisor to the President on Indigenous Initiatives at ECU is also an accomplished artist, curator, mentor, community facilitator and cultural consultant.

Ask Brenda Crabtree about any part of her many practices, and her answer will inevitably turn to community, history, politics or pedagogy.

This isn’t deflection. As a rule, Brenda focuses simultaneously on both what is directly in front of her, and what’s going on all around her.

“For me, it’s all about community outreach,” Brenda says. This priority can be seen as a throughline that connects her own material, artistic practice with her work as a curator, mentor, cultural consultant, educator, director of the Aboriginal Gathering Place and most recently, with her appointment to Special Advisor to the President on Indigenous Initiatives at Emily Carr University.

“The sharing and the transfer of cultural knowledge, I learned that from my grandmother,” Brenda says. “And I know how important education is. Even though traditional knowledge is relevant, we live between these worlds of traditional knowledge and contemporary knowledge.”

She notes she was the first person in her family to get a university degree.

“It was a really big deal,” she says. “So, I really see education as being a huge component in being able to live my life the way I want to live it, and being able to share, learn, make connections …”

Indeed, in 2016, Brenda was honoured by the BC Achievement Foundation as an enduring champion for Indigenous artists, and has been a key figure in developing groundbreaking programs such as Decolonizing the Healthcare System through Cultural Connections, the Urban Access to Aboriginal Art Project, and the Aboriginal Canadian Entrepreneurs artist residency.

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/leadership-profile-brenda-crabtree

Esteban Pérez Wins Audain Travel Award for Time-Based Work, ‘The Earth Project’

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By Perrin Grauer | filed in Art, Students, Awards

Posted on October 26, 2020 | Updated October 26, 2020, 9:11AM

The artist and MFA student says he is “very grateful” to be recognized for his work.

Artist and Emily Carr University MFA student Esteban Pérez was recently awarded the prestigious 2020 Audain Travel Award.

The Ecuadorian-born artist says he’d applied to Emily Carr’s graduate program as a painter, but quickly became interested in other forms, including performance and sound art, as he learned more about his new home in Vancouver.

“To move here, I had to apply for a visa,” Esteban recalls, sitting in his studio on the fourth floor of ECU’s campus.

Esteban had always been interested in what he describes as the arbitrary ideological constructs that shape human experience — borders, for instance, are only lines on a map, he says. And yet the ideological and social constraints that insist on a difference between North and South America, he adds, materialized during his visa application process in real and challenging ways.

“It’s a very long process. I had to show that I have the money to pay for university, I had to take an HIV test. I found the process exasperating. There’s a power relationship, and as a result you have to ask for permission to enter.”

As he reflected on his move from home to the so-called ‘first world,’ he formulated an idea for a time-based, performative work: he would “steal” land from Canada in the form of raw earth, and send it back to Ecuador, where Ecuadorian people could access it without having to undergo the same demeaning screening process he’d endured.

But he quickly realized there was a great deal of history he’d not yet learned.

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“When I first moved here and started coming to Emily Carr, people were doing a ‘land acknowledgement,’ which was a new experience for me,” he says, noting that while Ecuador, like Canada, has a history of colonization, the country’s “social narrative” about that history is very different.

“I contacted Connie Watts at the Aboriginal Gathering Place, because I didn’t know what these words meant — ‘First Nations,’ ‘unceded territory’ — and they were repeating these words in every class, in books we were reading. So, I asked.”

That one question would lead Esteban to create a series of performance works, including the one entitled, The Earth Project, which would ultimately earn him the Audain Travel Award.

Connie put Esteban in touch Squamish Nation artist Aaron Nelson-Moody, also known as ‘Splash,’ who lives and works in Capilano Village, on the North Shore.

“Splash taught me a lot about the history of Indigenous peoples here in Canada, how they were put onto reserves; he showed me his ID card. I didn’t know about that, and I was learning a lot,” he says.

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/esteban-pérez-wins-audain-travel-award-for-time-based-work-the-earth-project

Sonny Assu, Annie Briard Featured in New Limited-Edition Book

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By Perrin Grauer | filed in Art, Faculty, Alumni

Posted on October 05, 2020

The artists and ECU alums are included in the bilingual hardcover presenting conversations between authors and visual artists.

Artists Sonny Assu (BFA 2002) and Annie Briard (MFA 2013) are part of a new limited-edition bilingual book project, spearheaded by artists Jérôme Baco and Michèle Smolkin.

The book, entitled Conversations: Language and Propaganda (Conversations: Langue et Propagande), brings together artworks and texts from four pairs of authors and visual artists around topics including disinformation, propaganda, the persuasive power of language, and the role of the arts and artists in providing space for critique and critical inquiry.

“Because of social media, anonymity and easy access to a large audience, language and propaganda have taken a leading place in our society,” reads the book’s press release. “Each segment of the population accuses another of manipulation, misuse of language, wearing rose-tinted glasses or scaremongering… Everyone has to make … big efforts to sift through the overwhelming amount of information that they receive daily to decide what is propaganda what is not, what is behind the language used, what word is loaded of implied meaning.”

Art offers “a necessary distance to the public, helping them to question their beliefs, and [providing] a catalyst for critical thinking,” the statement continues. The advent of COVID-19, as well as a year of historic protests against entrenched and ongoing systems of racist sociopolitical orders and the violence which supports them have foregrounded the necessity of such conversations, the statement contends, making the book’s publication especially timely.

Full article by Perrin Grauer: https://www.ecuad.ca/news/2020/sonny-assu-annie-briard-featured-in-new-limited-edition-book